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Since making her operatic debut as
the three heroines in Offenbach’s Les Contes d’Hoffmann with Spokane
Opera, Kari Ragan is continually praised for her sparkling lyric coloratura
voice and dynamic stage presence. In addition, she is acclaimed as a crossover
singer, having the ability to sing beautifully in Oratorio, Opera or the Musical
Theatre genre. Other operatic roles include Gretel in Hansel and Gretel
sung with both Lyric Opera Northwest and Lake Chelan Bach Feste; Serpetta in the
Oregon premiere of Mozart’s La Finta Giardiniera; Giannetta in
L’Elisir d’Amore with Opera Idaho and Helena Symphony; Frasquita in
Carmen with Washington East Opera; Zdenka in Arabella and Blondchen
from Die Entfürung aus dem Serail, both sung at Bel Canto Northwest.
Concert Work includes Carmina Burana with the Ft. Collins
Symphony as well as the Seattle Choral Company, Honneger’s King David,
Vivaldi Gloria and Mendelssohn’s Elijah with the Tri-Cities
Oratorio Orchestra, Impresario with Spokane Symphony, and Mozart’s
Requiem in Colorado Springs, Haydn’s The Creation and Bach’s Cantata
Jauchzett Gott in allen Landen both with the Lake Chelan Bach Festival.
Seasonally, she performs Messiah in the Tri-Cities and Colorado Springs.
In addition, she is a frequent recitalist, having recently presented a series of
recitals, throughout the Pacific Northwest, with Maestro Dean Williamson at the
piano.
A highlight for Dr. Ragan was performing for four months in the
award winning show “A Cabaret Tour Of Broadway” in Chicago where she was a
featured soloist in scenes from Candide, King and I, Phantom of the Opera,
Cats, Rent, Grease and Chicago.
Having received her Doctorate of Musical Arts from the University
of Washington in June, 2005 where she received the prestigious Williams and
Beech Scholarship, she additionally holds Bachelors and Masters Degrees in Vocal
Performance from Indiana University. Among other awards and honors she has been
recognized as the Regional Finalist for the Metropolitan Opera National Council
and the Regional Finalist for the MacCallister Competition.
Dr. Ragan has taught at the University of Puget Sound, Blackpool
Performing Arts Center in England, and a summer session at the University of
Washington. Additionally, she maintains a successful voice studio in Issaquah,
Washington and is an active member of NATS.
Upcoming performances include the Brahm’s Requiem in the
Tri-Cities, L’Elisir D’Amore with Helena Symphony in Montana and
Messiah in Eastern Washington.
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