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Barry Johnson, baritone, has attracted national attention among leading
conductors, directors, and opera companies as a versatile singing actor. Creator
of more than 50 opera roles, Mr. Johnson is a frequent guest with companies
throughout the country including Seattle Opera, Tacoma Opera, Opera Colorado,
Anchorage Opera, Portland Opera, Central City Opera, Las Vegas Opera, and the
Wildwood Festival in Little Rock, Arkansas.
Notable roles in his repertoire include the title role in
The Marriage of Figaro, Mercutio in Romeo and Juliet, Marcello in
La Boheme, Dancairo in Carmen, Sharpless in Madama Butterfly,
Masetto in Don Giovanni, Prince Ottokar in Der Freischutz, Baron
Douphol in La Traviata, Angelotti in Tosca, Papageno in The
Magic Flute, Fleville in Andrea Chenier, Dr. Falke in Die
Fledermaus, and Jupiter in Orpheus in the Underworld.
On the concert stage, Mr. Johnson has been a soloist with
orchestras throughout the Northwest including Seattle Symphony, Tacoma Symphony,
American Sinfonietta, Yakima Symphony, Northwest Sinfonietta, and Orchestra
Seattle. Concert engagements have included Orff’s Carmina Burana,
Handel’s Messiah, Brahms’ Ein Deutsches Requiem, Rachmaninoff’s
The Bells, Haydn’s Lord Nelson Mass, Frahm’s War Cantata,
Bach’s Magnificat, Mozart’s Requiem, and Faure’s Requiem.
Mr. Johnson’s professional stage directing credits include
Puccini’s La Boheme, Rossini’s Le Comte Ory, Bernstein’s
Trouble in Tahiti, Puccini’s Tosca, Menotti’s The Telephone,
Bizet’s Dr. Miracle, and Pasatieri’s La Divina, with Tacoma Opera.
As Director of Opera Workshop at Pacific Lutheran University
from 1994 to 2004, Mr. Johnson’s fully staged productions included Lehar’s
The Merry Widow, Mozart’s The Magic Flute, Sondheim’s Into the
Woods, Sullivan’s The Pirates of Penzance, and Puccini’s Gianni
Schicchi and Suor Angelica.
Mr. Johnson was a national winner of the Bel Canto
Competition of Chicago and a regional winner of the Metropolitan and San
Francisco Auditions. |